Ideas:
- How dialogue and metaphor work in both classic literature and film adaptation, AKA how dialogue and imagery translate to new media.
- May be a separate idea, or included in idea #1. The loss of dialogue and metaphor in film adaptation because of direction or acting style
- How different directing styles effect film adaptation of classic literature
- Dialogue (and surrounding elements) as an element of classic literature
What is dialogue? (What are its functions?)
How does one write dialogue?
Does dialogue change with characterization?
How do different authors link dialogue with their characters?
Does this make the authors essentially actors, by which they play every character? (how does one incorporate accents?)
See book mentioned "you just don't understand" by Deborah Tannen
What is good dialogue?
Why is dialogue a key element in classic literature?
I'll probably edit this post a dozen times, at least. In my next post I'll actually start writing down some ideas in the form of paragraphs, working, of course, towards my complete project.
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